A technician at the LAM Museum in Lisse mistakenly discarded an artwork by French artist Alexandre Lavet, mistaking it for empty beer cans. The discarded cans were sculptures titled “All the good times we spent together,” which symbolize cherished memories. Fortunately, they were recovered just in time before being disposed of permanently. The museum expressed no ill feelings towards the technician and emphasized the value of Lavet’s unconventional art. This incident highlights the museum’s innovative curatorial practices that encourage viewers to appreciate everyday objects from fresh perspectives.
| Signal | Change | 10y horizon | Driving force |
|---|---|---|---|
| Technician discards valuable artwork accidentally | Increased awareness of art value | Greater emphasis on artist recognition | Desire to elevate everyday objects as art |
| Unconventional exhibition spaces | Shift from traditional displays | More immersive and surprising art spaces | Need for innovative visitor engagement |
| Curatorial approach encourages fresh perspectives | Change in art interaction | Art perceived as part of daily life | Emphasis on creativity and interaction |
| Art symbolizes cherished memories | From static to emotive representation | Deeper emotional connection to artworks | Focus on personal experiences with art |