Vinyl Sales Surge Despite Many Buyers Lacking Turntables, (from page 20230505.)
External link
Keywords
- vinyl sales
- record players
- music revenue
- Luminate
- superfans
Themes
- vinyl sales
- turntables
- music industry
- consumer behavior
- music consumption
Other
- Category: others
- Type: blog post
Summary
A recent study by Luminate reveals that about 50% of vinyl LP buyers in the U.S. do not own a record player, despite the surge in vinyl sales. Their report indicates that while vinyl purchases are on the rise, most of the revenue in the music industry still comes from streaming services, highlighting a trend where ‘superfans’ buy vinyl for collection purposes rather than for listening. The top-selling vinyl albums include works by Taylor Swift, Harry Styles, and Olivia Rodrigo, reflecting strong fandoms. Additionally, there is a push in the industry for record labels to establish their own vinyl pressing plants to address manufacturing delays, with notable figures like Jack White and Metallica advocating for this change.
Signals
name |
description |
change |
10-year |
driving-force |
relevancy |
Vinyl Ownership without Playback |
Half of vinyl LP buyers do not own a record player. |
Shift from traditional music consumption to vinyl as collectible items. |
Vinyl may become primarily a collectible item with less focus on playback. |
The rise of music superfans who prioritize ownership over listening. |
4 |
Superfans Driving Vinyl Sales |
Superfans are driving vinyl purchases despite not using them for playback. |
Transition from active listening to passive ownership of music. |
Music purchasing behavior may shift towards collectibles rather than functional use. |
The emotional connection and identity tied to music ownership among superfans. |
4 |
Artist-Driven Vinyl Production |
Artists like Metallica and Jack White are investing in vinyl production. |
Move from industry-centric to artist-centric control over vinyl manufacturing. |
Artists may increasingly control their own music production and distribution channels. |
Desire for quality control and meeting fan demand in the vinyl market. |
3 |
Streaming Dominance Continues |
Streaming services still account for 84% of music revenue in 2022. |
Continued dominance of streaming over physical media like vinyl. |
Streaming may become the sole revenue source, overshadowing physical media. |
Consumer preference for convenient and accessible music consumption. |
5 |
Concerns
name |
description |
relevancy |
Devaluation of Music Ownership |
As vinyl sales rise among owners without turntables, the value of owning music may diminish, impacting artists’ revenue and music culture. |
4 |
Manufacturing Delays |
The call for record labels to invest in pressing plants highlights potential delays in production, risking supply chain disruptions for physical media. |
3 |
Market Saturation |
Increased vinyl production could lead to market saturation, where demand dwindles and many products remain unsold, harming the industry. |
3 |
Consumer Behavior Changes |
The rise of vinyl purchases by non-owners may signal a shift in consumer habits, prioritizing collection over listening, affecting music marketing strategies. |
3 |
Impact of ‘Superfans’ |
The reliance on ‘superfans’ for vinyl sales raises concerns about sustainable growth in physical music formats, potentially isolating mainstream consumers. |
4 |
Behaviors
name |
description |
relevancy |
Vinyl Ownership without Playback Devices |
A significant portion of vinyl buyers do not own turntables, indicating a trend towards collecting vinyl records as memorabilia rather than for listening purposes. |
4 |
Rise of the ‘Superfan’ |
Consumers identified as ‘superfans’ actively engage with music, contributing to vinyl purchases despite lacking playback equipment, driven by a desire for collection. |
5 |
Streaming Dominance with Vinyl Collecting |
Despite a strong vinyl market, streaming services remain the primary revenue source for music, highlighting a dual consumption behavior among music fans. |
4 |
Artist-Driven Vinyl Production |
Artists and bands are taking initiatives, like building pressing plants, to meet the growing demand for vinyl, indicating a shift in industry dynamics. |
3 |
Collector Mentality in Music Consumption |
Consumers are increasingly purchasing music in physical formats like vinyl, not just for listening, but for ownership and collection purposes. |
4 |
Technologies
description |
relevancy |
src |
Establishing dedicated facilities for vinyl record manufacturing to meet rising demand and reduce production delays. |
4 |
37b7ab3070e6381214eae4523a6b82be |
Utilizing data analytics to understand consumer behaviors and trends in music purchasing and streaming. |
4 |
37b7ab3070e6381214eae4523a6b82be |
Developing marketing strategies targeting superfans who invest significantly in music experiences and products. |
3 |
37b7ab3070e6381214eae4523a6b82be |
Issues
name |
description |
relevancy |
Vinyl Ownership vs. Listening |
A significant portion of vinyl buyers do not own record players, indicating a trend where collectors prioritize ownership over listening. |
4 |
Superfan Culture |
The rise of ‘superfans’ who engage deeply with music but may not use traditional formats for listening, impacting music sales dynamics. |
4 |
Streaming Dominance |
The overwhelming majority of music revenue still comes from streaming, highlighting potential risks for physical formats like vinyl. |
5 |
Manufacturing Delays in Vinyl Production |
Increased demand for vinyl is leading to manufacturing delays, prompting artists to invest in their own pressing plants. |
4 |
Niche Market for Vinyl |
The vinyl market may be shifting towards a niche market, catering to specific fanbases rather than the general consumer. |
3 |